Join Tony's Mailing List

Get notified about songwriting events and gigs.

Making The Lyric, When Sung, Feel Like It’s Being Spoken

It’s good to remember that writing melodies and words for songs relates very strongly to something almost everyone does without consciously thinking about it – that is, talking. In songs, in most cases we simply want the listener to hear and understand the words and the added feeling that the melody brings to them, and […]

Read more

When Is It Time To Give Up On A Song?

Sometimes the moment comes when I realize my song is just not going to work out and that it’s time to move on.  Other times I’m extremely frustrated but keep pushing and end up with something I like.  Is there any way to predict earlier which way a song is going to go, and save […]

Read more

Against Punctuation (On A Lyric Sheet)

Not all punctuation.  I’ve got nothing against apostrophes.  But most punctuation that’s put on a lyric sheet – question marks, exclamation points, dashes, semi-colons – can and often does mislead the writer(s) of the song. Why?  Because the listener will never see the punctuation when they’re listening to the song. The point is – the […]

Read more

How Do You Finish A Song Without A Deadline?

I don’t know how anyone finishes, really finishes, a song without having a deadline of some sort – a writing job, recording session, rehearsal,  gig, workshop…  Without some kind of some kind of performance or presentation looming, I often find it very hard to make the final decisions that render a song done. I should […]

Read more

Thinking Backwards From The Title, part 1

Many people who write and teach fiction, playwriting, screenwriting, etc., suggest that writers not go very deep into writing a particular piece without knowing their destination: the ending.  That is, don’t take a trip  (often a long one) without knowing where you’re going. But just as some people like to take trips (or even walks) […]

Read more

An Explanation Of Not Explaining

I think a reader of this blog, no matter how occasional, might notice how much I emphasize actually doing the writing, as opposed to thinking about writing, talking about writing, planning to write, etc.  It’s a shift of consciousness – from thought to action.  It’s taking a leap into the unknown.  It’s not knowing what’s […]

Read more

When Starting A Song, 10 Thoughts Worth Ignoring (At First)

1) This sucks. 2) I stole this melody from another song – I just don’t know which one. 3) This is a stupid idea. 4) This is just like that other song I wrote last month. 5) This won’t amount to anything. 6) This lyric is sappy. 7) It’s too much of a ripoff of […]

Read more

10 Cool Things About ‘Refugee’ by Tom Petty & The Heartbreakers

Refugee (Tom Petty/Mike Campbell) In no particular order: 1) Extremely economical songwriting – The Verse is 2 (long) lines; 8 bars long. Pre-Chorus – 2 lines; 4 bars long. Chorus – 1 line (repeated except for first time). Bridge – 4 lines; 8 bars long. An 8 bar solo follows all this and barely 2 […]

Read more

The Song & The Songwriter’s Emotional Attachment To It: Two Different Things

Many if not most songs start with the writer having a strong emotional connection to the idea(s) in it but… I think it’s good to remember that the song itself is very different from our emotional attachment to it… though sometimes the two can feel very much the same. It’s natural to love our original […]

Read more

‘Maybe I’m The Only One Who Feels This Way…’

‘Maybe I’m the only one who feels this… or thinks like this… or sees it this way… or likes it sounding like this.’   When writing, that’s often followed by, ‘So let me make it more like something I’ve heard before, something safer’.  Very common thoughts, I believe, when deciding what subject to write about, what […]

Read more

Listening (Not Going) To ‘Rehab’

Listening again recently to Amy Winehouse’s really good song ‘Rehab’, I was struck by several straightforward but notable things about it. Right from the beginning, we’re dropped into the middle of a dramatic story that someone is telling (‘They tried to make me go to rehab, I said ‘no, no, no!’).  How can you not […]

Read more

“Shame isn’t for writers. You have to be shameless.” – Philip Roth

The great Philip Roth was talking about being shameless in the writing, not in one’s personality.  Maybe it would be clearer to say that you want to write as if you were shameless – because the places where the shame is are where some of the best material comes from. It’s exposing it to air […]

Read more

Get the Throat Clearing Done Before The Song Starts!

One of the most common problems/mistakes I run into – in my own songwriting and in other writers I work with – is what I call ‘throat clearing’ – starting the lyric with hemming and hawing about marginal things (clearing your throat) before really getting down to saying what you need to say.  This can […]

Read more

Song Structure: A Way To Express What Is More – Or Less – Important In Your Song

Good structure in a song takes your attention to where the writer wants it to be.  It’s the songwriting equivalent of good storytelling in a movie or a play.  The teller of the tale leads you to the strongest and most crucial and revealing parts of the story and prepares you for them, or for […]

Read more

The Songwriting Channel – Tune In

Guess what?  The Songwriting Channel is on – it’s playing your shows, it’s ‘friending’ you, it’s writing you tweets, it’s calling your number.  But you have to tune in.  You have to pick up. On TV there’s always something broadcasting on Channel 9, day and night.  But you’ll never see or hear a bit of […]

Read more

There’s Always A Good Reason To NOT Write

There’s always a good reason to not write.  Some of them: To respond to the many obligations, commitments, and distractions of life; to take a passive break from them – a movie, TV, the web; to enjoy the company of family and friends; to empty an email inbox that inexorably refills itself; even the absolute […]

Read more

The Most Common Songwriting Mistakes – Part 1 (Titles)

Titles are important because the way we hear a song is organized around the phrase of words, melody, and rhythm that’s repeated most often – which usually includes the title.  So it makes sense, in most cases, to organize our song to support and strengthen what we’re emphasizing the most.  (If it’s not what we […]

Read more

Where Do Songs Come From? How Do You Start A Song?

The beginnings of songs are mysterious and varied; they start in many different ways.  This week I’m going to go through some of the ways in which this first impulse happens for me.  I’ll go from ways I think are more common to the more idiosyncratic:   The Title.  A phrase hits me in conversation, […]

Read more

Lyrics: Connecting The Dots – Part 3 (David Byrne)

Continuing to think about the many different ways songwriters connect the dots in their lyrics, let’s look at And She Was – written by David Byrne, recorded by Talking Heads. Here’s Verse 1, Pre-Chorus, Chorus:      And she was lying in the grass      And she could hear the highway breathing      And she could […]

Read more

Lyrics: Connecting The Dots – Part 2 (Frank Ocean)

Super Rich Kids by Frank Ocean has been my favorite for a few months now.  In this song Ocean uses many and varying songwriting devices with tremendous freedom and confidence – and he pulls it off. It’s a great song all around, but today we’ll mostly look at what he’s up to in the lyrics.  […]

Read more