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Writing is active. Moving forward, one note leads to the next, one word follows another. When it’s flowing it’s a beautiful thing, a high. Even when it’s not, I’m coming up with stuff, or attempting to by just messing around with the sounds of music and words. Trying things out, keeping my ears open for happy accidents that might be better than anything I expected..

I often have some sort of starting point but from there the key word is NEW. I’m more or less starting from scratch and, even if the ideas are familiar, I’m combining them in a new way.

Rewriting seems to me to have two parts. One might be more accurately called Editing. As opposed to the original writing, this is more reactive. I’m responding to the original ideas and trying to improve them.

Here I try to tune myself to what the present version of the song needs, what it’s missing, what doesn’t quite make sense or flow naturally.

Being attuned to this very personal reactive ‘vibration’, developing this inner voice of taste and preference, is a skill like any other that can be improved with time and practice. It requires honesty; acknowledging when something doesn’t feel right for the song instead of just saying, ‘it’s good enough’.

Then it’s time to come up with improvements for what falls short… which takes me back to writing again, also known as rewriting.

Finishing? Getting all those nasty details right that can make a good song better and a better song great? That can be work!

One of the truest of truisms about any kind of writing is that it’s always easier to start something new than to finish something that’s not right yet and needs work. I’ve seen this over and over in myself and many other songwriters.

Another hard truth, though, is that most good songs require some cold-eyed rewriting.

To summarize, I’d say the initial writing part is, or should be, more like play – fooling around, trying things out, keeping the stakes and inhibitions low. What have I got to lose?

The two aspects of rewriting are intertwined. The editing part is more focused – reacting to what I’ve already written, trusting the inner voice that says I can cut something or that it can be better (though I don’t yet know how).

The writing part of rewriting is finding the how. It involves bringing back the playfulness… but now the play’s not so free. Now it has a goal, a purpose – to finish this individual song in a way that’s right for it and only it.

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2 Comments on “The Difference Between Writing and Rewriting Your Song”

  1. Hi Tony,

    Thanks for the thoughtful summary of what can be a tricky process.

    I don’t usually find it too bad as for me the process of originating the lyrics in the first place is usually the part I struggle with, though experience has taught me to have faith that the lyrics will come, because they always do and I just have to wait them out. Smartphone Voice Memos are a blessing! (though pedestrians may be perplexed at the strange sight of a guy walking down the street singing into his phone…)

    Once I’ve got the foundation of the song and its structure and most of its lyrics, the fine-tuning and rewriting is usually not too painful as by then I’m on a roll, I know what the song is about, its feeling, its heart, and so coming up with those parts that focus and complete the song is usually easier than easing out the original inspirations and drafts. The relief I feel when I finally know what a song is about, what my subconscious has been prodding me towards, is palpable. For me, everything that comes after is a stroll in comparison. YMMV!

    Also I find that the rewrites can complete the song in unexpected ways: on several occasions I’ve been unsatisfied with a couplet or entire verse, only to find after many attempts at replacement that I was overthinking it and the original couplet was absolutely fine, or that the verse only needed a line or couplet tweaked to make it work. The nice part is that even without a change it’s never a waste of time because I’ve gone through the refinement process and am content with it (or at least as content as I can be). Or on other occasions I’ve found that a couplet or sometimes a verse that I LOVED and thought of as being fundamental to the song had to go because it just didn’t fit as the song evolved. It hurts, but it’s tough love.

    Thanks again Tony, insightful as always.
    Cheers Pete

    1. Peter,
      Thanks for reading, writing, and for sharing your process. I’ve had a lot of similar experiences.
      I really appreciate yours.
      Good to hear from you!
      Best wishes,
      Tony

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