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	Comments on: How Do You Know When A Song Is Finished?	</title>
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	<link>https://tonyconniff.com/how-do-you-know-when-a-song-is-finished/</link>
	<description>Songwriter, Producer, and Coach, based in New York City.</description>
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		<title>
		By: Tony Conniff		</title>
		<link>https://tonyconniff.com/how-do-you-know-when-a-song-is-finished/#comment-6545</link>

		<dc:creator><![CDATA[Tony Conniff]]></dc:creator>
		<pubDate>Thu, 18 Dec 2014 19:44:08 +0000</pubDate>
		<guid isPermaLink="false">http://tonyconniff.com/?p=2102#comment-6545</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://tonyconniff.com/how-do-you-know-when-a-song-is-finished/#comment-6544&quot;&gt;Rich Meitin&lt;/a&gt;.

Rich,  
You make two points that really resonate.  I actually came to the realization about how I write when I was mixing, more or less how you described it.  That&#039;s when I realized that I pretty much finish my songs the same way I finish my mixes - when nothing bothers me (too much).
I have had the second experience you describe many times and try to keep it in mind when obsessing over a musical detail - a not uncommon experience.
Thanks for the great response!
Best wishes and happy holidays,
Tony]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://tonyconniff.com/how-do-you-know-when-a-song-is-finished/#comment-6544">Rich Meitin</a>.</p>
<p>Rich,<br />
You make two points that really resonate.  I actually came to the realization about how I write when I was mixing, more or less how you described it.  That&#8217;s when I realized that I pretty much finish my songs the same way I finish my mixes &#8211; when nothing bothers me (too much).<br />
I have had the second experience you describe many times and try to keep it in mind when obsessing over a musical detail &#8211; a not uncommon experience.<br />
Thanks for the great response!<br />
Best wishes and happy holidays,<br />
Tony</p>
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		<title>
		By: Rich Meitin		</title>
		<link>https://tonyconniff.com/how-do-you-know-when-a-song-is-finished/#comment-6544</link>

		<dc:creator><![CDATA[Rich Meitin]]></dc:creator>
		<pubDate>Thu, 18 Dec 2014 16:35:18 +0000</pubDate>
		<guid isPermaLink="false">http://tonyconniff.com/?p=2102#comment-6544</guid>

					<description><![CDATA[Tony, I believe there are many creative processes with the same problem, notably mixing. And even tweaking a soup or stew. My personal solution for this is that as some point, I began to recognize a creative stage I call &quot;Not Better, Just Different.&quot; That&#039;s when I stop. NBJD. 

On a related issue: One late night, I got into an argument with my (then) music partner about two mixes of the same piece. We both defended our preferences with great and righteous energy and conviction (to put a pleasant spin on it). There was no way either of us would give in, so we decided to sleep on it. The next day - and this is no exaggeration - neither of us could even tell the two mixes apart, nor remember which was our respective preference! So, tell me - what was all the excitement about, 12 hours previous?]]></description>
			<content:encoded><![CDATA[<p>Tony, I believe there are many creative processes with the same problem, notably mixing. And even tweaking a soup or stew. My personal solution for this is that as some point, I began to recognize a creative stage I call &#8220;Not Better, Just Different.&#8221; That&#8217;s when I stop. NBJD. </p>
<p>On a related issue: One late night, I got into an argument with my (then) music partner about two mixes of the same piece. We both defended our preferences with great and righteous energy and conviction (to put a pleasant spin on it). There was no way either of us would give in, so we decided to sleep on it. The next day &#8211; and this is no exaggeration &#8211; neither of us could even tell the two mixes apart, nor remember which was our respective preference! So, tell me &#8211; what was all the excitement about, 12 hours previous?</p>
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