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	Comments on: How To Use A Minor Chord… When The Ear Expects Major	</title>
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	<link>https://tonyconniff.com/how-to-use-a-minor-chord-when-the-ear-expects-major/</link>
	<description>Songwriter, Producer, and Coach, based in New York City.</description>
	<lastBuildDate>Tue, 27 Jun 2023 18:00:50 +0000</lastBuildDate>
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		<title>
		By: TonyConniff		</title>
		<link>https://tonyconniff.com/how-to-use-a-minor-chord-when-the-ear-expects-major/#comment-19400</link>

		<dc:creator><![CDATA[TonyConniff]]></dc:creator>
		<pubDate>Tue, 27 Jun 2023 18:00:50 +0000</pubDate>
		<guid isPermaLink="false">http://tonyconniff.com/?p=2996#comment-19400</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://tonyconniff.com/how-to-use-a-minor-chord-when-the-ear-expects-major/#comment-18613&quot;&gt;Peter Leslie&lt;/a&gt;.

Thanks for the incisive comments, Peter.
I just wish my Choruses would &#039;write themselves&#039;!
Best wishes,
Tony]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://tonyconniff.com/how-to-use-a-minor-chord-when-the-ear-expects-major/#comment-18613">Peter Leslie</a>.</p>
<p>Thanks for the incisive comments, Peter.<br />
I just wish my Choruses would &#8216;write themselves&#8217;!<br />
Best wishes,<br />
Tony</p>
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		<title>
		By: Peter Leslie		</title>
		<link>https://tonyconniff.com/how-to-use-a-minor-chord-when-the-ear-expects-major/#comment-18613</link>

		<dc:creator><![CDATA[Peter Leslie]]></dc:creator>
		<pubDate>Sun, 07 May 2023 02:27:01 +0000</pubDate>
		<guid isPermaLink="false">http://tonyconniff.com/?p=2996#comment-18613</guid>

					<description><![CDATA[Thanks for the observations Tony, you always get me thinking! 
‘You Know I’m No Good’ is a clever piece of writing, in that AW seems to have wanted a similarity of feel between verse and chorus and so used the same m-m-M-m with the same starting Dm but wanting some variation, which would explain the Am. Also, in the prechorus, to my ears the EM does the heavy lifting in creating the tension whereas the F acts as a sweeetener before the second tension of E again, then going to the A which acts both as resolution of the E and a signpost that we’re about to go somewhere new. In that context, going to the chorus Dm was totally natural and the Am, whilst an oddity in the context of the song up to the chorus, sounds totally right given what she was trying to do in linking chorus and verse whilst still mixing it up. And bringing the E in as a more natural mid-chorus tension is just icing on the cake. I figure that if she wrote the verse and prechorus first then the chorus would almost have written itself. Or she wrote verse and chorus first, then came up with that peculiar and inspired prechorus as a fine glue. That feels more likely to me.
Nice one AW, that’s some smart and elegant writing. RIP.]]></description>
			<content:encoded><![CDATA[<p>Thanks for the observations Tony, you always get me thinking!<br />
‘You Know I’m No Good’ is a clever piece of writing, in that AW seems to have wanted a similarity of feel between verse and chorus and so used the same m-m-M-m with the same starting Dm but wanting some variation, which would explain the Am. Also, in the prechorus, to my ears the EM does the heavy lifting in creating the tension whereas the F acts as a sweeetener before the second tension of E again, then going to the A which acts both as resolution of the E and a signpost that we’re about to go somewhere new. In that context, going to the chorus Dm was totally natural and the Am, whilst an oddity in the context of the song up to the chorus, sounds totally right given what she was trying to do in linking chorus and verse whilst still mixing it up. And bringing the E in as a more natural mid-chorus tension is just icing on the cake. I figure that if she wrote the verse and prechorus first then the chorus would almost have written itself. Or she wrote verse and chorus first, then came up with that peculiar and inspired prechorus as a fine glue. That feels more likely to me.<br />
Nice one AW, that’s some smart and elegant writing. RIP.</p>
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		<title>
		By: Tony Conniff		</title>
		<link>https://tonyconniff.com/how-to-use-a-minor-chord-when-the-ear-expects-major/#comment-7128</link>

		<dc:creator><![CDATA[Tony Conniff]]></dc:creator>
		<pubDate>Tue, 18 Oct 2016 16:12:39 +0000</pubDate>
		<guid isPermaLink="false">http://tonyconniff.com/?p=2996#comment-7128</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://tonyconniff.com/how-to-use-a-minor-chord-when-the-ear-expects-major/#comment-7127&quot;&gt;Joyce Rogers&lt;/a&gt;.

Thank you, Joyce!]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://tonyconniff.com/how-to-use-a-minor-chord-when-the-ear-expects-major/#comment-7127">Joyce Rogers</a>.</p>
<p>Thank you, Joyce!</p>
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		<title>
		By: Joyce Rogers		</title>
		<link>https://tonyconniff.com/how-to-use-a-minor-chord-when-the-ear-expects-major/#comment-7127</link>

		<dc:creator><![CDATA[Joyce Rogers]]></dc:creator>
		<pubDate>Tue, 18 Oct 2016 12:42:25 +0000</pubDate>
		<guid isPermaLink="false">http://tonyconniff.com/?p=2996#comment-7127</guid>

					<description><![CDATA[There seems to be a more jazz feel to the songs (esp Winehouse-rip); love your blogs.  Thanks.]]></description>
			<content:encoded><![CDATA[<p>There seems to be a more jazz feel to the songs (esp Winehouse-rip); love your blogs.  Thanks.</p>
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