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	Comments on: Quality Control: Taking A Song Apart And Putting It Back Together	</title>
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	<link>https://tonyconniff.com/quality-control-taking-a-song-apart-and-putting-it-back-together/</link>
	<description>Songwriter, Producer, and Coach, based in New York City.</description>
	<lastBuildDate>Tue, 20 Jan 2015 20:36:29 +0000</lastBuildDate>
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		<title>
		By: Tony Conniff		</title>
		<link>https://tonyconniff.com/quality-control-taking-a-song-apart-and-putting-it-back-together/#comment-6557</link>

		<dc:creator><![CDATA[Tony Conniff]]></dc:creator>
		<pubDate>Tue, 20 Jan 2015 20:36:29 +0000</pubDate>
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					<description><![CDATA[In reply to &lt;a href=&quot;https://tonyconniff.com/quality-control-taking-a-song-apart-and-putting-it-back-together/#comment-6556&quot;&gt;rich meitin&lt;/a&gt;.

Great point, Rich!]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://tonyconniff.com/quality-control-taking-a-song-apart-and-putting-it-back-together/#comment-6556">rich meitin</a>.</p>
<p>Great point, Rich!</p>
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		<title>
		By: rich meitin		</title>
		<link>https://tonyconniff.com/quality-control-taking-a-song-apart-and-putting-it-back-together/#comment-6556</link>

		<dc:creator><![CDATA[rich meitin]]></dc:creator>
		<pubDate>Tue, 20 Jan 2015 19:14:10 +0000</pubDate>
		<guid isPermaLink="false">http://tonyconniff.com/?p=2137#comment-6556</guid>

					<description><![CDATA[Very interesting!

Related: There are a lot of great songs where building some contrast between sections of these various &quot;pieces&quot; works really well, too. Think of the melody of &quot;One Note Samba&quot; where there&#039;s virtually no range in the melody in the A section but the B section is very rangy. Other songs will have a slow chord rhythm in the verse that picks up in the chorus. Others will have a lyric point of view shift in the bridge (say, from present to future). All possibilities!]]></description>
			<content:encoded><![CDATA[<p>Very interesting!</p>
<p>Related: There are a lot of great songs where building some contrast between sections of these various &#8220;pieces&#8221; works really well, too. Think of the melody of &#8220;One Note Samba&#8221; where there&#8217;s virtually no range in the melody in the A section but the B section is very rangy. Other songs will have a slow chord rhythm in the verse that picks up in the chorus. Others will have a lyric point of view shift in the bridge (say, from present to future). All possibilities!</p>
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